Clark Birchmeier has worked in the Movie & Television business for nearly 15 years. Birchmeier's main focus of work is performing as a Digital Imaging Technician. However, on his journey in the industry, he has also completed several projects as either a Digital Loader, or a Dailies Operator. Below is a visual collage of just some of the projects he has left his digital fingerprint on. More posters will be uploaded as they are made available to the public.
"Lucky You"
Eminem & Joyner Lucas
"Fall"
Eminem
​What started as an undivided passion for motion pictures and editing, turned into a love for digital imaging. With today's plethora of digital cameras, they all demand their own attention to detail, workflow, and ways of getting the best image possible. Below is a small varying example of the various digital routes Birchmeier has experienced, and can take, to get the picture from camera to the big screen.
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Clark has helped two productions achieve an Oscar, and there's another possible Oscar on the way! The current Oscar-winners Birchmeier has on his resume are:
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Judas & The Black Messiah (Loader - shot on ALEXA LF + Mini LF) [Oscar, Best Actor, Daniel Kaluuya]
Promising Young Woman (Day Playing Dailies Technician, ALEXA Mini) [Oscar, Best Screenplay]
​Abbreviated list of cameras used on-set:​
​​ARRI Alexa (ARRIRAW; ALEXA LF, ALEXA Mini LF, ALEXA 35, ALEXA Mini, ALEXA 65, Alexa XT, ALEXA SXT, ALEXA Studio, Plus, ALEXA M, etc.)
Sony (Venice, Fx9, Fx6, Fx3, Fs7, F3, XDCAMs, NXCAM, Ex3, etc.)
RED (Monstro, Ranger, Dragon, Epic, Scarlet, RED One MX)
Panasonic (HVX, Varicam)
Canon (C100, C300, C500)
Canon & Nikon DSLR's
GoPro
Flip
SI2k
Several Others, including VR cameras such as the:
Obsidian (6 eyes)
Jaunt (24 eyes)
Movie Pro (2 eyes @ 180 degrees)
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Ancillary camera hardware used on-set:
Odyssey 7Q+
​CineDeck
PIX_240
ARRIRAW CODEX
Flanders Scientific BOX IO
HD Link Pro LUT Boxes
AJA Pro
Gemini Recorder
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​Software range utilized for digital motion picture imaging and processing:
RedCineXPro
Pomfort LiveGrade
​ARRILookCreator + Arri Color Tool
​Davinci Resolve
​Final Cut Pro
​Apple Color
​Adobe Premiere
ARRIRAWConverter
DVD Studio Pro
CineForm Studio
Adobe Encoder
Compressor
Silverstack
NextLab
DayLight
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(movie stills pictured below, L to R, Modern Monsters, Waterfront Nightmare, Modern Monsters.)
(stills from films Directed by Clark Birchmeier; Post Color & Imaging: Clark Birchmeier)
(Modern Monsters, short, 2013, RED Scarlet, DoP Stephen Smith)
(Waterfront Nightmare, feature, 2012, Canon 7D, DoP Kyle R. Adcock)
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